From May 13th to May 16th, 2011, the “China Redwood Furniture Culture Festivalâ€, the 7th ICIF series event with the theme of “Gathering the Top Redwood Brand to Let the World Understand Chinese Redwoodsâ€, was held at the Shenzhen International Convention and Exhibition Center in Shenzhen, Guangdong Province. The second floor of the museum is held. The first China Redwood Furniture Culture Festival brought together the national mahogany furniture genres including “Guang Zuoâ€, “Jing Zuoâ€, “Su Zuoâ€, “Xian Zuo†and “Dong Zuoâ€, highlighting the infinite charm of the Chinese cultural industry.
The first China Redwood Furniture Culture Festival was held on the second floor of the 7th International Exhibition Center, the main exhibition hall of the 7th International Cultural Exhibition Center. It includes Shenzhen, Xinhui, Shunde, Fujian Xianyou, Zhejiang Dongyang, Guangxi Pingxiang. The well-known enterprises of all major production bases and markets have settled in. All the booths are special booths, and the variety of furniture displayed is all-inclusive. At the same time, the style of the exhibits is also diversified. There are both antique antique furniture and new Chinese furniture with fashionable elements, which show the highest level of mahogany furniture and the unique charm of Chinese home.
Chinese furniture culture is one of the important components of Chinese culture. It has a long history, a self-contained system and a strong national style. In Chinese furniture, the mahogany furniture in the Ming and Qing Dynasties is the most representative.
The mahogany furniture of the Ming Dynasty was dominated by the Soviet style. At this time, the mahogany furniture had not yet formed a genre. In the Qing Dynasty, mahogany furniture with local characteristics appeared. The representatives were Su-style, Cantonese-style, Ning-style, and Beijing-style.
â– Cantonese:
Qing style furniture is an authentic representative of the Cantonese style. Since the beginning of the Qing Dynasty, Guangzhou has carried out foreign trade and cultural exchanges through sea transportation, and imported high-quality wood from the South Sea countries into the mainland to form Cantonese-style furniture. In the Qing Dynasty, people liked the deep dark red color of Shen Mu, pursued the beauty, and spared no effort to use materials. Therefore, the use of purple sandalwood, in order to make its beautiful texture completely exposed, wide-style furniture using non-screen paint, forming its unique genre.
â– Ning style:
Ning-style mahogany furniture uses wood embedded with Luodian and inlays. It pays great attention to the form of furniture and has a strong craft appreciation value in art.
â– Beijing style:
Beijing-style mahogany furniture generally refers to Qing style furniture in Beijing. The shape is based on Cantonese-style furniture, while the lines are biased towards Soviet-style furniture. The materials used are smaller than the wide-style furniture, and larger than the Soviet-style furniture. In addition, Beijing-style mahogany furniture is characterized by its special consumption, so it emphasizes grandeur and style in style, likes thick and posture, and gradually integrates into the characteristics of western-style furniture according to the will of the emperor. At this time, the mahogany furniture has reached the extreme level of material and construction.
â– Su-style:
Ming style furniture is a masterpiece of the Soviet style. Due to the strong cultural interest in Jiangsu and Zhejiang, the style of Su-style furniture is simple and generous, the shape and lines are smooth, the materials and structure are reasonable, and the large parts of Su-style furniture are used for material saving, which is laborious, time-consuming and technically demanding. . Later, due to the emergence of Cantonese-style and Beijing-style furniture, there were fewer and fewer Soviet-style furniture entering the court. The products produced gradually turned to the market. In order to cater to the different needs of different consumption levels, Su-style furniture has improved the process and materials. The surface part is neatly tidy and the texture is beautiful, while the back board, the top floor and the side of the drawer are replaced by other miscellaneous wood. The carving adopts irregular patterns, such as Ganoderma lucidum and cloud head. The pattern is random, non-standard, and requires workmanship. low. In the seam area, the patch is used to remedy the ups and downs, maintaining an elegant national decoration style and exquisite traditional craftsmanship.
The wide-style, Ning, Beijing-style and Soviet-style mahogany furniture are also known as the four major schools of Chinese mahogany furniture, which pushes traditional Chinese furniture to a historical peak.
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